A London Afternoon in February
After my Calcotada meal near Piccadilly, I visited the Royal Academy exhibition Painting the Modern Garden: Monet to Matisse to recap on some much-loved impressionist paintings. I'd seen many of them before but this was a new perspective.
The theme was the role of gardens and gardening in impressionism. Many of the impressionist painters were keen gardeners; Monet had more books on horticulture than he did on art. The exhibition also showed the Japanese prints with arched bridges that so influenced the water gardens at Giverny, which Monet worked on for forty years. Monet first saw a water garden at the Exhibition of Paris and employed landscape gardeners and botanists to recreate the water lily landscape that became so celebrated. A whole room is dreamily devoted to Monet's Nymphéas.
Moving further south, the exhibition hung a couple of works from Matisse, scratched out on thin paint with areas absent of detail, revealing warmer tones.
I discovered the oeuvre of Joaquin Sorolla, a Spanish impressionist whose paintings had a golden glow similar to the luminous work of his contemporary Maxfield Parrish. I love his painting of Tiffany, the stained glass artist who created the famous Art Nouveau lamps. Sorolla's paintings had a very different look to those of the French impressionists, reflecting the dusty burnt umber colours, palms and tropical fronds of Spanish gardens.
It's always worth going to see the original paintings: reproductions simply cannot do justice to the subtlety of colours, the strength of brush strokes. It was inspiring, both as a gardener and as a sometimes painter.
You can book to visit this exhibition at the Royal Academy here. It closes April 20th.